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PLAN / COVERAGE
The shotlist.
The action, the dialogue and the frame, together. Try adding a shot from the scene or editing one of the existing plans.
| Done | Scene / shot | Coverage | Lens & move | Script connection |
|---|---|---|---|---|
| Sc. 3 · 1 | Wide from the doorway. Keep the table between Mara and Ellie; establish the window and practical. | 28 mm Locked | Action-led shot | |
| Sc. 3 · 2 | Over Ellie’s shoulder. Mara turns with the brass key. Hold the silence before her line. | 50 mm Slow push | MARA: I thought if I kept the light turning, nothing would change. | |
| Sc. 3 · 3 | Mara lays the brass key beside the blue logbook. Ellie’s hand waits outside the pool of light. | 85 mm Locked insert | MARA: I didn’t know what to say. | |
| Sc. 3 · 4 | Ellie’s reaction. Favor her eye line toward Mara; let the window fall soft. | 75 mm Locked | ELLIE: Start with tomorrow. | |
| Sc. 3 · 5 | Profile two-shot. Ellie takes the key. Mara switches off the table lamp; hold the window silhouettes. | 40 mm Gentle settle | Action-led shot | |
| Sc. 1 · 6 | Car enters the lay-by. Ellie steps out under the last sweep of the beam. | 35 mm Locked | ELLIE: I made it before you stopped. | |
| Sc. 4 · 7 | Parallel walk on the level section of the path. Reset at the marked start. | 50 mm Track | MARA: Mostly I heard you refusing your boots. | |
| Sc. 6 · 8 | Light crosses Mara and Ellie. Record a clean plate with identical camera position. | 40 mm Locked | MARA: Keeper relieved. | |
| Sc. 8 · 9 | Hold the lighthouse as the car leaves frame. Allow clean head and tail for editorial. | 65 mm Locked | MARA: For breakfast. |
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