A camera setup
- Camera / lens
- 4.6K / 24 fps
- Technical check
- 2.39:1 frame lines
- Delivery
- Camera test frames
Record the chart, grey card and approved look on the actual camera / monitor chain.
Try a production change. Save a draft, notify departments, or ask for approval.
DEPARTMENTS / CAMERA
Camera
Connect the script to coverage, boards, lenses and the camera package.
DEPARTMENT WORKSPACE
Camera prep & coverage
Build the package, prove the settings in prep, and carry the approved choices into every shot.
Prime lens checkout
- Camera / lens
- 28–85 mm set
- Technical check
- Focus marks / shading
- Delivery
- Lens report
Test close focus for the key insert and matching color across the coverage.
Scene 3 key insert
- Camera / lens
- 75 mm
- Technical check
- Minimum focus / stop
- Delivery
- Shot 4
Props supplies the matched hero key and hand continuity.
Doorway move
- Camera / lens
- 40 mm / compact slider
- Technical check
- 0.9 m clear access
- Delivery
- Grip clearance
Slider breaks down for entry; protect the floor before rebuilding.
Lantern clean plate
- Camera / lens
- 28 mm / locked
- Technical check
- Lens / height / exposure
- Delivery
- VFX turnover
Hold the camera after the performance; no reframe between take and plate.
Camera reports
- Camera / lens
- A001 onward
- Technical check
- Scene / take / lens
- Delivery
- DIT at card handoff
Roll ID travels with card custody, checksum report and editorial notes.
Camera shares frame lines and lens data with DIT, VFX, grip and editorial.
Shared requirements & dependencies
Sample workspace for camera. Open a prep item to change its status, inspect dependencies or follow it back to the scene.
2 requirements
CameraReady
Scene 3 · five-shot coverage plan
28 / 50 / 85 / 75 / 40 mm. Begin wide, isolate the key, then reunite Mara and Ellie in one frame. Boards and dialogue are linked in the shotlist.
Alex Vale
CameraIn progress
Window reflection test
Check reflections in the cottage window with the practical dimmed. Share a lens-height frame with electric, grip and VFX before the tech scout.
Alex Vale