Editorial handover
- Package
- Daily proxies
- Required contents
- Synced media / reports / LUT
- Review
- Nov 3–5
Folder and reel naming are agreed before Day 1.
Try a production change. Save a draft, notify departments, or ask for approval.
DEPARTMENTS / EDITORIAL, MUSIC & POST
Give post the intended coverage, sound notes and delivery references.
DEPARTMENT WORKSPACE
Plan editorial, grade, sound and VFX deliveries while the crew can still capture missing material.
Folder and reel naming are agreed before Day 1.
Keep feedback tied to the reviewed cut version.
Only approved shots enter the turnover; preserve superseded frame ranges.
Check source relinks and framing before the supervised grade.
Include the key and last-rotation wild tracks captured on set.
Delivery specification remains an explicit checklist, not an assumed export preset.
Post requirements feed back into camera settings, sound reports, plates and pickups during prep.
Sample workspace for editorial, music & post. Open a prep item to change its status, inspect dependencies or follow it back to the scene.
24 fps, 2.39:1 framing reference, synced viewing files and sound notes. Preserve full camera originals. Opening coast sound bridges into kitchen; discuss music space after the final log entry.