Key custody
- Story / shoot day
- Story day 1 / shoot Day 1
- Continuity anchor
- Mara → Ellie in Sc 3
- Record
- Prop photograph
The key stays with Ellie in Scene 6 even though the stage shoots later.
Try a production change. Save a draft, notify departments, or ask for approval.
DEPARTMENTS / SCRIPT SUPERVISION
Script supervision
Follow story days, dialogue, props and coverage across the shooting order.
DEPARTMENT WORKSPACE
Continuity & coverage
Keep story chronology, coverage and dialogue changes separate from shooting order.
Kitchen match
- Story / shoot day
- Morning Sc 2 / night Sc 7
- Continuity anchor
- Mugs / letter / seats
- Record
- Set reference
Do not copy morning liquid levels into the night scene.
Scene 3 coverage
- Story / shoot day
- Shots 1–5
- Continuity anchor
- Eyelines / handover action
- Record
- Marked script
Check the handover overlaps between wide, reactions and key insert.
Dialogue changes
- Story / shoot day
- Script Rev 04
- Continuity anchor
- Exact approved wording
- Record
- Take notes
Record a change explicitly; never silently rewrite the source script.
Page & scene completion
- Story / shoot day
- Daily production report
- Continuity anchor
- Completed / part / pickup
- Record
- AD at wrap
Part-complete is a status, not a new scene number.
Editorial notes
- Story / shoot day
- Circle takes / issues
- Continuity anchor
- Roll & take identifiers
- Record
- DIT delivery
Include matching sound take and any continuity exception in the report.
A continuity note travels with the take to camera, costume, props and editorial.
Shared requirements & dependencies
Sample workspace for script supervision. Open a prep item to change its status, inspect dependencies or follow it back to the scene.
1 requirements
Script supervisionReady
Story-day and hero-prop continuity
Scenes 1–7 span the final keeper day, with scene 8 the following morning. Key is Mara’s until the end of scene 3. Logbook opens only in scene 6; preserve the November 5 page for the insert.
Dani West