Radio allocation
- Source / track
- Mara ISO 1 / Ellie ISO 2
- Dependency
- Camera RF check
- Capture
- Each morning
Final frequencies are checked on location; no frequency plan is invented here.
Try a production change. Save a draft, notify departments, or ask for approval.
DEPARTMENTS / PRODUCTION SOUND
Production sound
Flag noise concerns early and track recording needs for editorial.
DEPARTMENT WORKSPACE
Sound prep & wild tracks
Plan radio allocation, costume tests and editorial sound requirements against the scenes.
Rust jacket test
- Source / track
- Ellie lav / recorder strap
- Dependency
- Costume E01
- Capture
- Prep room
Resolve fabric rub before the coast day.
Key handover
- Source / track
- Close wild track
- Dependency
- Props P001
- Capture
- Before changing set
Record isolated key, cord and hand contact for the edit.
Control-room tone
- Source / track
- 60 seconds room tone
- Dependency
- Practical hum / traffic
- Capture
- End of sequence
Keep fixture state and room dressing unchanged during tone.
Lantern mechanism
- Source / track
- Relay / last rotation
- Dependency
- SFX practical cue
- Capture
- After performance
Give editorial separated mechanism and room tracks.
Daily sound report
- Source / track
- 24-bit / 48 kHz BWF
- Dependency
- TL_S roll / scene / take
- Capture
- DIT handoff
Label circled takes and any planned ADR; include the report in turnover.
Share noise issues early with costume, props, electric and locations.
Shared requirements & dependencies
Sample workspace for production sound. Open a prep item to change its status, inspect dependencies or follow it back to the scene.
2 requirements
Production soundNeeds review
Rain-jacket lavalier test
Test Ellie’s jacket lining during the fitting. Approve mounting with costume and performer; keep a boom alternative. Post needs clean dialogue plus a wind-only wild track.
Ira Moss
Production soundReady
Keeper room tone & final rotation
Reserve one minute of room tone after each interior. Capture isolated lamp switch, key on wood, and the staged mechanism for the final sound sequence.
Ira Moss